Bobby Troup’s songwriting career began with “Daisy Mae” that was picked up by Sammy Kaye and retitled “Daddy.” When Nat “King” Cole recorded “Route 66” Troup’s songwriting career was firmly established.
Continue ReadingJazz Research
Tiffany Club – 1952 – Part One
Chuck Landis budgeted over one hundred thousand dollars for talent in his Tiffany Club in 1952.
Continue ReadingTiffany Club – 1951/1952
Chuck Landis featured Sharkey Bonano, Nat “King” Cole, Helen Humes, Benny Carter, the Billy Williams Quartette, Jay Johnson,and Dorothy Doengan at his Tiffany Club in the latter half of 1951.
Continue ReadingTiffany Club – 1950/1951
The Tiffany Club began to present top drawer jazz artists in the early 1950s like Art Tatum, Dave Brubeck, George Shearing, and Nat King Cole.
Continue ReadingJohnny Mandel – I Want To Live!
The producer of I Want To Live, Walter Wanger, and the featured jazz artist in the film, Gerry Mulligan, shared a common past. They both served jail time at the Sheriff’s Honor Farm in Castaic, forty miles north of Los Angeles. Wanger served three months in the summer of 1952 for shooting and wounding a Hollywood agent that he suspected of having an affair with his wife, actress Joan Bennett. Mulligan served four months in the fall of 1953 on drug charges following his arrest at The Haig earlier that spring while he and Chet Baker were performing at the club.
Continue ReadingJazz Cabaret
The club space at 5510 Hollywood Boulevard was vacant for nearly a year after Maynard Sloate closed Jazz City. It gained new life in February of 1958 when Carl Greene opened Jazz Cabaret.
Continue ReadingJohnny Mandel & Dick Bock
Johnny Mandel had a noteworthy role in the early success of Dick Bock’s Pacific Jazz label. From February of 1954 until August of 1958 Mandel’s composing/arranging hand embellished eleven albums.
Continue ReadingThe Jazz Workshop Redux
Rod Levitt was a trombonist and commercial arranger who occasionally worked with Gil Evans in the ’60’s. His charts from his mid:1960’s recordings for RCA, make full use of the experimental ideas that the “Birth of the Cool” crowd had ushered in years before.
Continue ReadingJack Lewis / East Coast
Jack Lewis produced the RCA Victor Jazz Workshop series of albums while head of A&R in New York.
Continue ReadingJack Lewis / West Coast
Jack Lewis began his career as a jazz producer in Los Angeles in the early 1950s, most notably albums with Shorty Rogers and other West Coast artists.
Continue ReadingThe Haig – Part Six
The Bud Shank Quartet returned to The Haig at the beginning of 1957. The Ad Lib column in the January 9, 1957, issue of Down Beat noted that Shank’s return gave a boost to business. The same column mentioned that the Jimmy Giuffre Three spent a week at The Haig in December.
Continue ReadingThe Haig – Part Five
Bud Shank, Buddy Collette, Curtis Counce, and Art Pepper were among the jazz artists featured at The Haig during 1956.
Continue ReadingThe Haig – Part Four
Newspaper ads for the Haig in 1955 were sparse. It seems that John Bennett relied on the good graces of Down Beat for the occasional mention of who was performing at the club. The twice a month publication of the magazine required considerable lead time before each issue went to press. The “freebies” were noted […]
Continue ReadingThe Haig – Part Three
The halcyon days of the original Gerry Mulligan Quartet at the Haig with a packed house and patrons waiting patiently in lines that stretched up to Wilshire Boulevard were long gone at the beginning of 1954. The small capacity of the club made it difficult to turn a profit when competing clubs like Zardi’s and […]
Continue ReadingThe Haig – Part Two
The Gerry Mulligan Quartet continued their engagement at The Haig in January of 1953. Bob Whitlock departed the quartet before Christmas and was replaced by Carson Smith, a logical choice by Mulligan as Smith had demonstrated his chops during the initial engagement at the Black Hawk in September of 1952. The quartet’s version of “My […]
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