Zardi’s 1955 Sam Donato and Ben Arkin had been tinkering with the décor of Zardi’s ever since they acquired the club in 1953. The woven raffia ceiling that was framed in bamboo remained but the backdrop below the ceiling behind the musician bandstand changed several times. The strip below the bamboo termination of ceiling […]
Continue ReadingGene Norman
ZARDI’S – 1954
Zardi’s 1954. 1954 provided a cornucopia of modern jazz for Los Angeles jazz fans. In addition to booming business at the city’s leading jazz clubs, jazz impresarios Gene Norman and brothers Norman and Irving Granz staged sell out concerts to meet the growing demand for modern jazz. Gene Norman continued to wear several musical […]
Continue ReadingZARDI’S – 1949/1950
ZARDI’S – 1949/1950 A column in the Daily News from February 18, 1949, noted that Pete Daily and His Chicagoans had been pumping out their two-beat stuff in Hollywood’s Monkey Room to good crowds for a solid six months. The Pete Daily engagement at Sardi’s that began in August of 1948 continued through most […]
Continue ReadingJack Lewis / West Coast
Jack Lewis began his career as a jazz producer in Los Angeles in the early 1950s, most notably albums with Shorty Rogers and other West Coast artists.
Continue ReadingClifford Brown in California – The 1954 Sessions
THE GENE NORMAN PRESENTS, EMARCY, AND PACIFIC JAZZ SESSIONS Clifford Brown arrived in California in the spring of 1954. He came west at the invitation of Max Roach who had recently completed a six month tour of duty with Howard Rumsey’s Lighthouse All Stars replacing Shelly Manne in the drum chair. Roach and Brown shared […]
Continue ReadingJAZZ CITY PART SIX JANUARY – JUNE 1956
The December 28, 1955, issue of Down Beat magazine ran a short column announcing a series of West Coast bookings for Miles Davis’s current combo with Paul Chambers, Philly Joe Jones, Red Garland, and John Coltrane. The new quintet had a recent release on the Prestige label, MILES, that featured the new quintet. Miles Davis’s new quintet opened at Jazz City on Friday, January 6, 1956. The quintet’s engagement ran through Thursday, January 19, 1956. Prior to heading north to San Francisco for their booking at the Black Hawk, Paul Chambers joined a combo led by Kenny Drew for Jane Fielding’s second album for Herb Kimmel’s Jazz:West label.
Continue Reading“JAZZ MASQUERADE” UNMASKED
This research was originally published in the Dutch discography journal, Names & Numbers, No. 48, January 2009, in slightly different form. The Bihari brothers established their record empire beginning in late 1944 with the Modern Music label. Jules Bihari had a keen ear for talent and the rooster of artists recording for Modern soon numbered […]
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