Zardi’s 1954. 1954 provided a cornucopia of modern jazz for Los Angeles jazz fans. In addition to booming business at the city’s leading jazz clubs, jazz impresarios Gene Norman and brothers Norman and Irving Granz staged sell out concerts to meet the growing demand for modern jazz. Gene Norman continued to wear several musical […]
Continue ReadingMax Roach
Teddy Charles / Dave Brubeck / Chet Baker
Teddy Charles / Dave Brubeck / Chet Baker – Los Angeles 1953 The individual careers of Teddy Charles, Dave Brubeck, and Chet Baker intersected when they appeared at clubs and concerts in 1953. Teddy Charles shared the stage with the Dave Brubeck Quartet and a Shelly Manne group at Wilshire-Ebell in July for what was […]
Continue ReadingTiffany Club – 1954
Los Angeles in the mid 1950’s was a jazz lovers paradise. A snapshot of January 1954 provides an example. Billie Holiday was ending her current engagement at Tiffany Club, Bud Powell was opening at The Haig, Chet Baker and Russ Freeman were at Zardi’s, Nat “King” Cole was at Ciro’s, June Christy was at Trianon […]
Continue ReadingClifford Brown in California – The 1954 Sessions
THE GENE NORMAN PRESENTS, EMARCY, AND PACIFIC JAZZ SESSIONS Clifford Brown arrived in California in the spring of 1954. He came west at the invitation of Max Roach who had recently completed a six month tour of duty with Howard Rumsey’s Lighthouse All Stars replacing Shelly Manne in the drum chair. Roach and Brown shared […]
Continue ReadingJAZZ CITY PART EIGHT JANUARY – MARCH 1957
Billie Holiday and the Pete Jolly Trio engagement from December of 1956 continued into the first few days of January 1957. Corky Hale provided piano accompaniment to Lady Day with Pete Jolly’s rhythm section of Bob Bertaux and Bob Neel continuing rhythm backup to Corky Hale and Billie Holiday.
Continue ReadingTHE FIRST LIGHTHOUSE ALL STARS RECORDINGS PART THREE
CONTEMPORARY RECORDS This research was originally published in the Dutch discography journal, Names & Numbers, No. 42, July 2007 and No. 44, January 2008 in slightly different form. The recordings to be examined are commercial recordings that were issued on the Skylark, Lighthouse, Tampa and Contemporary labels within the time frame of the early […]
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