Zardi’s 1954. 1954 provided a cornucopia of modern jazz for Los Angeles jazz fans. In addition to booming business at the city’s leading jazz clubs, jazz impresarios Gene Norman and brothers Norman and Irving Granz staged sell out concerts to meet the growing demand for modern jazz. Gene Norman continued to wear several musical […]Continue Reading
Chuck Landis budgeted over one hundred thousand dollars for talent in his Tiffany Club in 1952.Continue Reading
The club space at 5510 Hollywood Boulevard was vacant for nearly a year after Maynard Sloate closed Jazz City. It gained new life in February of 1958 when Carl Greene opened Jazz Cabaret.Continue Reading
Jack Lewis produced the RCA Victor Jazz Workshop series of albums while head of A&R in New York.Continue Reading
The December 28, 1955, issue of Down Beat magazine ran a short column announcing a series of West Coast bookings for Miles Davis’s current combo with Paul Chambers, Philly Joe Jones, Red Garland, and John Coltrane. The new quintet had a recent release on the Prestige label, MILES, that featured the new quintet. Miles Davis’s new quintet opened at Jazz City on Friday, January 6, 1956. The quintet’s engagement ran through Thursday, January 19, 1956. Prior to heading north to San Francisco for their booking at the Black Hawk, Paul Chambers joined a combo led by Kenny Drew for Jane Fielding’s second album for Herb Kimmel’s Jazz:West label.Continue Reading
When Maynard Sloate and Joe Abrahams leased the space at 5510 Hollywood Boulevard and opened Mambo City they essentially kept everything the way it was when it was known as the Mural Room. The wall murals were left intact, the cocktail tables and dance floor were left intact, and the only change needed was the exterior sign.
For Jazz City they remodeled the front using glass blocks, added a large marquee where guest jazz artists could be announced, and a new neon sign proclaiming Jazz City.
Jazz became a permanent fixture at the Lighthouse Cafe in Hermosa Beach when Howard Rumsey convinced the owner, John Levine, that a regular music offering would attract patrons to the bar/cafe who would linger and leave with a lighter wallet. Levine was skeptical at first but agreed to give Rumsey a trial run. The trial […]Continue Reading
The 12th episode of Steve Allen’s Jazz Scene USA featured Barney Kessel with Buddy Woodson on bass and Stan Levey on Drums.Continue Reading